The two-dimensional layout of Castel del Monte can be identified
as a symmetry group with 16 elements: 8 reflection planes and 8
rotations planes. The multiplicity of symmetries is expanded by
homotheties among the large octagon of the main building, the
octagon of the inner courtyard, and the eight octagonal towers
placed in the same system of axes. The architect of the Castel
del Monte was clearly aware of the aesthetic importance of
symmetries, and used them to achieve the impressive appearance
of the castle.
There are no written records concerning the history of the design
of the castle, and we do not know who the architects were, but
we may depend on the geometric configuration and its inner
aesthetic to learn something about its creation. Navigational
charts and wind stars provide an important clue. One such chart
is the Carta Pisana, drawn at the end of the thirteenth century.
an interesting depiction of an octagonal compass that exactly
matches the shape of the layout of the Castel del Monte. A
mosaic of similar form in the Alhambra exhibits an additional
step in the development of the 8-pointed star figure.
Thus, Castel del Monte, with its extraordinary aesthetic
radiance, stands at the crossroads of the Arabic-geometric and
Middle-European-Gothic worlds, and represents the ruling spirit
of one of the most important emperors of the middle ages.
The Castel del Monte was built in the northern part of Apulia by
the Holy Roman Emperor Friedrich II of Hohenstaufen in the last
decade of his life. Its form is unique--an eight-sided central
structure with octagonal towers at each corner. The planimetric
aerial photo shows that the tangents of the octagon forming the
inner courtyard intersect at the centers of the octagonal corner
towers: they form an eight-pointed star whose tips lie at the
centers of the towers. Eight-pointed stars may also be drawn
around the corner towers. The close geometric connections
between the 8 stars thus created provide evidence that the size
of the towers was not chosen arbitrarily, but follows a precise
geometrical system. The geometric design of Castel del Monte is
an example of a configuration with an inner aesthetic. The
repetition of the basic 8-pointed star can be continued and, as
Max Koecher observed, results in a fractal with infinite
iteration possibilities.

